Graham Coreil-Allen is a Baltimore-based public artist and organizer working to make cities more inclusive and livable through public art and civic engagement. The artist activates places with people through installations for pedestrian safety and play, interactive mapping, and New Public Sites walking tours. The public artist studied at Tulane School of Architecture, completed his BA at New College of Florida and received his MFA from the Mount Royal School of Art at Maryland Institute College of Art. Since founding Graham Projects in 2006, Coreil-Allen has expanded his creative work to include a comprehensive array of built, programmatic, design, and engagement strategies.
Coreil-Allen has created public projects and programs for numerous organizations, places, and events both nationally and abroad, including the Baltimore Office of Promotion and the Arts, The Deitch/Creative Time Art Parade, Eyebeam, The Baltimore Museum of Art, Washington Project for the Arts, Arlington Art Center, Artscape, Transmodern Festival, VisArts, Current Space, ICA Baltimore, and Light City. Coreil-Allen has reached hundreds of thousands of participants through radical New Public Sites walking tours led in cities across the country and numerous public art installations, including viral-sensation Hopscotch Crosswalks, Reverberations Crosswalks, Dancing Forest and Choose Your Own Adventure at Artscape, and Sun Stomp at Light City Baltimore. Coreil-Allen’s work has been featured in numerous exhibits and media outlets including the American Pavilion in the 13th International Venice Architecture Biennale and a special episode of the hit podcast 99% Invisible. Currently Coreil-Allen is serving as an Open Society Institute Baltimore Community Fellow.
To playfully explore a thrilling urban sublime
through drifting symbols of invisible sites:
this is why I make art.
As a social practice artist, I make cities more inclusive and liveable through public art and civic engagement. Through research and action, I develop projects that push pedestrian agency, interpret the overlooked, and renegotiate public space. I collaborate with neighbor to interpret and activate public space through placemaking projects for pedestrian safety and play, interactive mapping, radical walking tours, and civic engagement. Along the way, I invite the public to practice “radical pedestrianism” – traveling by foot through infinite sites of freedom while testing the limits of and redefining public space. I work with residents on a range of placemaking efforts, including artistic crosswalks and creative outdoor signage to interactive sculptures and LED lighting installations. Whether marking crosswalks for joywalkers or illuminating provocative city vistas, I infuse public space with play and intrigue.Click here to download CV