Choose Your Own Adventure at Artscape!

Choose Your Own Adventure

Choose Your Own Adventure

Its July in Baltimore, which means its time for the nation’s largest free art festival – Artscape! Building off of the outrageous success of last year’s Dancing Forest of inflatable trees, I’m now teaming up with with fellow Baltimore public artist Becky Borlan on Choose Your Own Adventure! Choose your own Adventure will transform the Charles Street Bridge at Penn Station into a colorful playscape of pedestrian pathways and hanging beach balls. Spray chalk lines will mark a site-based map converging under a forest of beach balls hanging from an open air structure.

Choose Your Own Adventure at Artscape 2018
Charles Street Bridge at Penn Station, Baltimore, MD, 21201
July 20-22, 2018
Friday: 11am-9pm, Saturday: 11am-9pm, Sunday: 11am-7pm
After hours: Friday and Saturday 9pm-11pm
Free and open to the public

Choose your own Adventure takes inspiration from the natural paths taken by street-crossing pedestrians, the Jones Falls and train tracks below, and the joyful experiences of summer-inspired toys. The kinetic environment will feature hundreds of colorful, translucent beach balls and multiple lounging options for festival goers to find respite from the summer sun. Participants who choose to explore will discover curious signs offering choices for adventures beyond. Through tactical urbanism and creative design, the installation will preview possibilities for completely transforming the Charles Street Bridge into an immersive pedestrian environment and playful visionary experience.

USM-Sine in Easter Rabbit at the Hexagon

My latest new public tape installation USM-Sine is up for Joseph Young’s book release party/performance/art show at the Hexagon. Joe asked me to interpret the following story from his new book, Easter Rabbit:

Sine
A white line, across the cement, under the park, through the door, faint and hardly there, to its red center.

I responded with two white lines leading from Charles Street, down the sidewalk, and into the gallery where they continue to intersect before concluding at a red spot.
The show will be up until January 3rd, check it out!

Click here to see more documentation of the installation.

THE HEXAGON
1825 North Charles Street
Baltimore, Maryland 21201

Press Release below…

Easter Rabbit by Joseph Young

The Hexagon and Publishing Genius Press present: Easter Rabbit Book Release Party and More Than Words gallery exhibition.
December 12th, 2009 to January 3, 2010.
Opening Reception and Release Party: December 12 starting at 7pm

Baltimore author Joseph Young is celebrating the release of his book of microfictions, Easter Rabbit, by bringing together a diverse team of musicians, performers, and visual artists to add their vision to the book’s stories.

Easter Rabbit, published by local small press Publishing Genius, comprises 86 extremely short stories, with some stories as short as 17 words. At the release party, a team of actors will dramatize several of the stories, while a group of painters and other artists will show work inspired by the book. Local band Sweatpants will be on hand to play music composed especially for the event.

Artists included in the exhibition are Lauren Boilini, Graham Coreil-Allen, Kathy Fahey, Luca DiPierro, Paul Jeanes, Magnolia Laurie, and Easter Rabbit cover artist Christine Sajecki. Actors are Linda Franklin and Caleb Stine, directed by Nancy Murray. Sweatpants is Adam Robinson, Jamie Gaughran-Perez, and David NeSmith.

Color Path Projections at Tinges Commons

09 09 20 Tinges Commons Color Paths Projections 01

09 09 20 Tinges Commons Color Paths Projections 01

Color Path Projections
Cyle Metzger and Colin Benjamin
September 20th – October 17th

Tinges Commons is proud to present its second public art show featuring works by Cyle Metzger and Colin Benjamin. Color Path Projections includes two vivid installations that use line, color and space to emphasize movement along the adjacent footpath. On the Tinges Commons Kiosk, Metzger presents us with PS5, a self-described “paintstallation” that uses two-dimensional plains to imply a three-dimensionality of the space within the image. The colors for the billboard-style painting are intended to be integrative yet vibrant, making use of the area’s own palette to emphasize a footpath that naturally emerged from the site and inspired an effort to improve the quality of its common use.

Benjamin offers us Present paths are reflective spaces (here and there), a site-specific, tensile structure of driveway reflectors and bright flagging tape suggesting internal tension and spatial projection within the compact pedestrian zone. The architectural configuration of ephemeral construction materials exists outside of the frame of everyday route and routine, asking the pedestrian to make a mental and physical leap between “here and there”. Through playful color and dynamic spatial relationships, the artists hope to enhance pedestrian experience within Tinges Commons and challenge its users to reconsider their engagement with public space.

Tinges Commons is funded by the Greater Homewood Community Corporation, the Maryland Cooperative Extension, the Maryland State Arts Council, Mayor Sheila Dixon and the Baltimore Office of Promotion and The Arts.

Curated by Graham Coreil-Allen

09 09 20 Tinges Commons Color Paths Projections 15 09 09 20 Tinges Commons Color Paths Projections 14  09 09 20 Tinges Commons Color Paths Projections 12  09 09 20 Tinges Commons Color Paths Projections 10 09 09 20 Tinges Commons Color Paths Projections 09 09 09 20 Tinges Commons Color Paths Projections 08 09 09 20 Tinges Commons Color Paths Projections 07    09 09 20 Tinges Commons Color Paths Projections 03 09 09 20 Tinges Commons Color Paths Projections 02

Whartscape Tapeway and Tri-Flags

Whartscape Tapeway 01

I had the privilege of setting up two installations during this year’s Whartscape. “Tapeway” was a colorful tape installation along the sidewalk leading into the MICA parking lot. With this piece I hoped to cultivate a sense of visual excitement beginning half-way down the block and culminating at the entrance to Whartscape. Various colors of tape began far apart, moved towards the entrance, started intersecting and became increasingly intense as audience members approached the entrance threshold. The installation was well received and I plan on doing similar public tape installation in the near future.

Click here for full documentation.

Whartscape Tapeway 01

“Tri-Flags” were two pair of bamboo tripods I lashed together that each displayed three colorful flags. Both stages in the Whartscape outdoor lot were framed by these vibrant flag stands. More than just stage decoration, I see these structures as becoming part of my growing collection of temporary public event structures. I plan on re-using the tripods with an array of interchangeable flags alongside other banners and kiosks in future parades and festivals. This collection of nomadic party infrastructure will help to create a sense place within temporal situations of play and celebration.

Whartscape Tapeway 02 Whartscape Tapeway 06 Whartscape Tapeway 05 Whartscape Tri-flags 03 Whartscape Tri-flags 02 Whartscape Tri-flags 01 Whartscape Tapeway 04 Whartscape Tapeway 03